Pete starts out the show with some little gotcha fixes in Photoshop, ie. flow vs. opacity, number of undos, lock up fix, and thumbnail preview. He also has a quick tip adding on from last weeks episode, on creating backgrounds. Corey demonstrates how you can give your 3d graphics a light effect.
For much of 2014, I have been on the road for Lynda.com, producing the series, The Traveling Photographer. The latest episode, on London, has just posted. London is an amazing city, and I think this episode is our best to date. ... more
Of all of the wonderful things that have happened since I began writing Strobist eight years ago, certainly the best is the steady parade of creative people I have met as a result. And few are more talented (or insan motivated) than London-based photographer Drew Gardner.
We grew up in the same era, both working for newspapers in our respective cities... more
Paris, the latest installment in The Traveling Photographer series, has just posted to Lynda.com. Photographed this past May, the hour-long episode includes lots of practical, real-world advice for anyone who may be considering traveling to Paris with their camera.
Such a simple idea, and not so difficult to dounless you count all of the self-inspection it will require. Iranian-born (now in Dubai) photographer Atbin Eslami's video-bio of herself first made me think, "that's really cool."
To some a foot bridge abutment, to others a studio.
I've long kept a picture file of versatile nearby locations for photographing people. This foot bridge abutment on Columbia Road about two miles from my house is a great example, and it actually gets used... more
Your brain is gear. Keep it in tune by providing it regular doses of education. A well-written and info-packed photo technique book is a screaming bargain in the long run. You're essentially renting someone's brain.
I have dedicated an entire bookshelf page to my very favorite lighting (and other photo) books for your consideration. All are well-considered and are, I believe, the very... more
You can't exactly put this stuff in your pocket. And what you get to carry it around will be largely driven by, well, what you care carrying around.
Most of you will end up using two small lights with stands and mods and a modest bag of camera gear. Not that there's anything wrong with that. You can do a ton of cool stuff with two speedlights. I have gone far past that level of gear in the past, and often to my regret.
If that's you, grab the shoulder-slung camera... more
