I have played with photography a little bit since I was a boy, first with an old Olympus 35mm film point-and-shoot, then with a GameBoy camera and later a pretty terrible mobile phone. At age 18 I got my first DSLR and instantly fell in love with out-of-focus backgrounds, and now almost 10 years later [...]
Engagement portrait sessions can be awkward especially for couples who are expected to display their affection publicly and worse, in front of the camera. Often they feel uneasy and don’t know what to do, let alone how to pose. Left to their own devices, especially if they feel they are not naturals in front of the camera, the probability is that they won’t love their photos at the end of the session. They will look back at the session with regret.
At the moment the UK has a movement of dark art and conceptual artists growing from a love of movies and Photoshop. Their work is creeping its way on to more commercial mainstream sites like Behance, and starting to make an impact, amongst the more straight cut photography. One pioneer of this movement is Matt [...]
If you are shooting on location (and even if not) you must have a ton of batteries to power your production war-horse. The camera takes batteries, the lights take batteries, remotes, phones, monitors. Actually, most devices take more than one battery. And every battery set want their own charger. And every charger want it’s out [...]
For those who know me, they know that I have a slight obsession with camera bags. There are just so many varieties; roller bags, backpacks, shoulder bags, etc., so it gets a little hard to get bored of them!
We know that those models that we are seeing on cover shoots have been shooed to death. We shared a few of those before/after over the years (see here, here and here for just a few). So we know that extreme retouching exists, and we also know that it’s an issue that bogs both models [...]
One of the greatest impacts of “drones” coming into our lives is the impact it has on photojournalism. Drones can go places that photographers just can’t go by foot. Here is a story that illustrates this perfectly (though its only relation to photography is the drone involved). According to ABC, a couple ofteenagers – Chris [...]
Looking at a print 24 square meters large up close is impressive, but having it made from a contact print elevates it to quite a different level. Contact printis a way of printing photographs in which the negative (or positive) is pressed against a the photo paper and then exposed. This creates a photo at [...]
This is something I’ve been pondering for a while now and man has it got me excited! What happens when you get a photographer who retouches his own images vs a retoucher who does it for high end clients as a living? Let’s find out the results! So I contacted the awesome David Neilandsabout joining [...]
The techniques of dodging and burning are hand-me-downs from the days of the darkroom. The idea was to manipulate parts of an image while the paper was being exposed to light from the enlarger, wherethe negative was fitted. In order to decrease the exposure (lighten) onparts of an image, the paper had to be exposed for less time, which was dodging. To increase exposure (darken) it needed to be exposed for more time, which was burning.
