Canon has announced the RF 35mm F1.4 L VCM lens, the first release in what the company says will become a full series of fixed-focal-length RF lenses with a hybrid design for stills and video, which are intended to work with both EOS photo and Cinema EOS cameras.
Pentax announced a pair of new underwater, rugged cameras in the WG-1000 and WG-8. As the latest members of the company's WG series of all-weather cameras, they sport a rugged chassis and are waterproof, dustproof, and shock-resistant.
The Panasonic GH series has always been some of the best hybrid cameras ever made, and the new Lumix GH7 brings the best features of the GH6 and last year's G9 II together in a single body. It's basically a perfect camera for me as the sensor size is the only thing I consider a compromise.
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The Panasonic Lumix DC-GH7 is the latest in Panasonic's line of high-end cameras historically aimed at video shooters. We say 'historically' because the GH7 makes a strong case for being a true photo-video hybrid. It includes flagship video features like internal ProRes RAW recording, 32-bit float audio, and 4K/120p capture, along with all the photography features found on Panasonic's more recent G9 II model.
Hot on the heels of announcing the full-frame Lumix S9 camera, Panasonic is showing its Micro Four Thirds Lumix G system some love with the new Panasonic Lumix GH7 camera.
Many already know that Sony is a significant player in the image sensor space, but a new Sony Imaging and Sensing Solutions Segment report offers exciting insights into the stranglehold Sony has on the image sensor industry and how the company views the smartphone market moving forward.
Canon announced the 35mm f/1.4L VCM prime lens which is designed to work equally well for both video production and photo capture. Canon says it is the first in a series of new primes that are meant to appeal to both types of content creators.
