When you use DPReview links to buy products, the site may earn a commission.Photo: Fujifilm
Fujifilm has announced the GFX 100S II, a faster version of its $5000 GFX model with a nicer viewfinder, subject recognition AF, pixel shift high-res mode, enhanced video capture tools and uprated image stabilization.
When you use DPReview links to buy products, the site may earn a commission.Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content.
Product images by Richard Butler
The Fujifilm X-T50 is a classically-styled mid-level APS-C mirrorless camera. It's built around the 40MP X-Trans sensor... more
The Fujifilm X-T50 combines the classic camera styling of the wildly popular X100VI with the flexibility of an interchangeable lens X Series camera. It is designed for burgeoning photographers who prioritize style over top-of-the-line performance. However, make no mistake: the X-T50 is much more than a baby X-T5.
As hinted at earlier this year in Tokyo, Fujifilm is moving on from the 18-55mm f/2.8-4 lens -- which has achieved legendary status among kit lenses -- in favor of the new, sharper 16-50mm f/2.8-4.8 R LM WR. Fujifilm promises the new 16-50mm is better for its high-resolution cameras.
Since launching its medium-format GFX system in early 2017, Fujifilm has rapidly expanded the series regarding cameras and lenses. The new GFX 100S II is the seventh GFX camera and the fifth to sport a 102-megapixel CMOS image sensor. It will also launch as the most affordable of these five cameras.
A satellite was able to capture a rare photo of the International Space Station as the two spacecraft hurtled past each other in space just 43 miles (69 kilometers) away.
Artificial intelligence continues to grow rapidly, but it's still not perfect. Look no further than Google's I/O keynote from this week where it showed off its AI model Gemini giving a terrible answer to a struggling photographer.
Fans of the original Star Wars movies are hunting down film reels that were never returned by theaters so they can restore the movies themselves without any of George Lucas' controversial alterations.
