There's something magical about the moment the ground falls away as we soar into the air. The helicopter's engines start to whir, and everything begins to shake. Cameras are ready, everything taped down, lens hoods removed.
Sony was a major player in the massive record-setting broadcast production of Super Bowl LVIII but its support of image capture at the event didn't end there. More than 50 a9 III cameras and 145 lenses were available for photographers and Sony Pro Support was on hand, too.
Skylum, the company behind the Luminar Neo editing platform, and Fujifilm have partnered to host 50 free photo walks across the United States, giving photographers a chance to not only see their local cities in a new light but also try out new Fujifilm gear.
The photographer who took the powerful foot-washing images for a Jesus ad that played at Super Bowl LVIII has revealed the huge production value behind the photos and hit back at critics who say the ad was AI-generated.
A wedding photographer must pay $30,000 in civil penalties for advertising her services using images taken by other photographers and failing to disclose that the pictures were not her own.
Ahead of Super Bowl LVIII at Allegiant Stadium in Paradise, Nevada, just outside Las Vegas, PetaPixel chatted with Mike Francis, CBS Sports' Vice President of Engineering and Technology, about the camera technology that underpins not just the broadcast on CBS and Paramount+, but the cameras that help the refs make the correct calls.
