Adobe has had a rough go of it lately and as a result, more photographers have been asking what legitimate options exist that can replace Photoshop and Lightroom. I've been testing a few and while they're all capable performance-wise, I'm left feeling spoiled by Adobe's absurdly fast support for new camera RAW profiles.
An extreme macro photographer has revealed "the things that can't be seen with the naked eye" in everyday household items like a rusty razor, a $100 bill, a strawberry, and a leaf.
What's old is new again, as seems to be the case for Noplace, a new social media app that feels reminiscent of MySpace and is becoming incredibly popular.
Of all the low-resolution digital cameras from the 1990s, none has had the lasting cultural impact of the monochromatic, 0.014-megapixel Nintendo Game Boy Camera. Romanian video game technology company, Epilogue, has turned the Game Boy Camera into a webcam, offering nostalgia-infused fun for teleconferences.
The Nikon Z6 III's peak dynamic range can't keep pace with its predecessor, the Z6 II. The gap isn't minor, either. But how much does it matter, and does it mean photographers should opt for the older model?
For the past several weeks, photographers have been expressing a recurring sentiment online: the lack of supply for highly sought-after cameras like the Fujifilm X100VI, Ricoh GR III, or Pentax 17 is actually a strategy to "build hype." That's absurd.
The launch of the Pentax 17, a brand-new half-frame film camera, has been hugely successful for Ricoh. So much so that the company has been forced to stop accepting orders for it as it scrambles to catch up to demand.
A fascinating documentary looking at the brave cameramen who accompanied Allied troops during the D-Day landings has been shared by the Imperial War Museum of London.
